"We mortals, men and women, devour many a disappointment between breakfast and dinner-time; keep back the tears and look a little pale about the lips, and in answer to inquiries say, 'Oh, nothing!' "
Historiann asked me last week to talk about why this book. Well, the first answer is: I crowdsourced it, and it got the greatest number of enthusiastic recommendations. But the second answer is: it also got the greatest number of people who were decidedly not entranced by it. I figured: a polarizing book, written by a female author who used her married lover’s first name as her pseudonym at a time when female authors were mostly known for characters who felt things rather than thought things? How could I not read it?
The book is long, and is divided into 8 books, each of which has about a dozen chapters. Monday posts will cover half a book (5-6 chapters) each. I hope that people will use these posts to share insights both serious and silly. I’ll get to mine as we go. Commenters Laura and
What Now offered a recommendation for a Middlemarch reading guide (https://middlemarchforbookclubs.wordpress.com), put together by Rohan Maitzen, who is a professor of Victorian literature at
Dalhousie University. I took a look, and it’s good. I plan to lift from
it as needed. But let me throw out a few observations, maybe to get us started:
- The characters: Thus far, we have met Mr. Brooke, his nieces Dorothea (a.k.a. “Dodo”) and Celia, Sir James Chettam, Casaubon, and Mrs. Cadwaller. Friends on Facebook who have begun the reading have noted that the characters are not particularly likeable, and I have to agree — at least in that no one (except maybe Celia) has any self-knowledge. But what does a cast of problematic individuals set up for us as readers? Celia, Dodo, and Casaubon stand out; any insights on the other characters?
- The Setting: I think that this is going to be a big deal. After all, the book is called “Middlemarch,” which suggests that the place is as much of an influence as any of its inhabitants. But I’m not sure I have much to say here yet. Anyone else? Or do we put a pin in this for now?
- The historical context: Hoo boy, this book makes me realize that I don’t know squat about early modern England, and I desperately hope that some commenters in there will help us fill in the gaps. So far… um… reform? To paraphrase a friend on Facebook, CASAUBON DOESN’T CARE ABOUT THE COTTAGES!!! And speaking of Casaubon…
- That appalling proposal: Discuss.
- The narrator: In her reading guide, Maitzen urges us not to confuse the narrator with the author. She also reminds us to look for the sardonic. What do we think, for example, of her reference to people who are born “a cygnet among ducklings”? What do we think about the prologue, and the framing it tries to set up? For me, it brought up…
- The Woman Question (or: Are you a Dodo or a Celia? Take our quiz!): The author seems to be presenting us with two versions of Victorian womanhood, one conventional, the other unconventional. Or is she? Celia is likeable, but is Dorothea at all sympathetic? When she jumps at the chance to marry Casaubon, is she making a rational choice, in her own way? And for those who have peeked into the author’s own history, how does her own unconventional life frame how we think about her female characters thus far? There are also some hints at repressed female sensuality/sexuality in these earlier chapters; what about that?
That’s what I’ve got for the moment, but I’ll be peeking in
and out of the comments as we go along this week.
Next Monday: we finish book 1 (chs. 7-12) and meet back to discuss!
Next Monday: we finish book 1 (chs. 7-12) and meet back to discuss!

